Get your conference started early,
Talk with colleagues from around the world, and
Start to explore the power of the key conference themes!
Program details to be announced.
9:00am ~ 10:00pm Seoul, KST(UTC+9)
1:00am ~ 2:00pm Edinburgh, UTC
8:00pm ~ 9:00am New York, EDT(UTC-3)
What do arts and teaching artistry possess in widening and altering the pathways of learning in this time of uncertainty? How do we, as teaching artists, unlock the potential in participants to free themselves from habits and certainty, and come to discover ‘new knowing’ in the ‘present tense’? Unlearning opens up new ways to discover ourselves and create new worlds in art and life. On our Day 1, we will delve into the practices and ideas around unlearning as a part of arts education—not only for our participants but for ourselves as teaching artists.
The presentations and workshops will lead you to re-imagine arts education and your work in it with new practices, perspectives and entrepreneurial ideas. Teaching artists bring their best practices to ITAC5 to share and discuss.
Topics such as:
* UN SDGs 4.7 aimes at cultural diversity, global citizenship and lifelong learning opportunities for all.
Wolsik Kim/Seems Like Community(KR) “do o ooooo oo o iii ii ng”
Alison Sarah Green(AU)Disrupting Power through Play in the Kickstarter Creative Arts project
Minju Kang(KR)Creating Learning Between Arts and Education
Rock n Egg(KR)
Alex J. Kim, Hae Joo Moon, Jin ChoiFuture Lab: Imagination Workshop in 2050
Dana L Squires
(AU)Creative Unlearning; embracing ambiguity
Beata Moon(US) & Jintak Moon(KR)Creative choice-making for change
Lee, Jiyoun(KR)Reconfiguring my mother’s gesture
Linzi Michelle McLagan(UK)How does a subject like dance permeate the boundaries of a traditional school ecology or learning environment?
Heleya Lucile de Barros/Arts Corp(US), James Miles(US)Do It For the Culture
Penelope Elsea Bartlau(AU) From One Word
Ye Jungwon(KR)Culture art education as one person’s life: creating a form of ‘youth voice’ through children’s conversations.
Michael Bruce Sollis(AU)Unlearning The Status Quo to Achieve Artist-LED Impact
Heather Marshall(UK)The importance of asking questions- (questioning & questioned to unlearn)
Alejandro Posada & Maria Helena Tamayo-Tobon
/Iberacademy(Colombia)Unlearning and questioning as the main methods for an assertive artistic education
Jeong Sun Lee
(KR)Art, what we do, what we make - What do I find in me?
Ahn Rayoung(KR) Perceiving Music as Dialogue
Park Jin Hee(KR)New Analysis and Interpretation of Educational Environment and Resources in Arts Education
Seonyoung Baek(KR)Continuity of art education, the need for artistic experience: The El’sistema Korea orchestra program.
Woori Chae(KR)Artpreneurship, the power that enables artists to live as artists
Peggy Ferroa(Singapore) This is my song
Hye Jeong Yoon
(KR)Unlearning Explorer : Teaching, Learning and Exploring Body
Kim, Su-youn(KR), Hur, Jungmi(KR)Learning from failure: how to deal with failure and what can we learn from it
Taeyoon Choi(KR/US)A poetic approach to teaching art and technology
Insook Bae(KR)Playing the freeB
Simon Sharkey(AU)The Suspension of Disconnect
Andeath(KR)Geologic Bakery Pop-Up
9:00am ~ 10:00pm Seoul, KST(UTC+9)
1:00am ~ 2:00pm Edinburgh, UTC
8:00pm ~ 9:00am New York, EDT(UTC-3)
ITAC5 is the first conference to take place in Asia, so we will explore how teaching artists identify their practices in different localities, especially in Asia. How teaching artists bring back to life disappearing cultures? How can we reveal the accumulated but overlooked history and traditional elements in communities? This theme invites us to meet teaching artists whose practice springs from a specific community but carries universal value that reaches beyond the local setting to the global community of teaching artists.
With the presentations and the workshops, we will meet practices from areas far from urban centers, practices that teaching artists carry beyond the boundaries of nations. We will discover artistic practices that vitalize the cultural identity of minority communities driven into diaspora due to voluntary/non-voluntary migration. This track focuses the locality of teaching art in Asia, especially in Southeast Asian countries.
Throughout the sessions, the participating teaching artists will explore the inquiries below and more:
* UN SDGs 4.7 aimes at cultural diversity, global citizenship and lifelong learning opportunities for all.
Gudskul(ID)
Kisung Kwon(KR), Hyemin Park(KR)Sustainable art education for youth: opportunities and challenges in case of rural regions
Che Se Hyun(US)The Future Ancient
Ling Tang(US)Teaching Chinese Dance in a Global Community – Practices and Challenges
Jon Deak, Jessica Mays(US) Riitta Tikkanen, Tuula Jukola-Nuorteva(FI) Muntasser Jebrini, Suhail Khoury(PS) Dani Bedoni, David Pedroza(VE) Jotage Alves, Claudia Freixedas(BR) Hanna Lee, Serin Kim(KR)Young Composers Project in 6 countries
Boseul Shin(KR)How to making sustainable project in a local village (Case study of Batik Story)
Jefferey Tobin(US)LEARN-UNLEARN-TRANSFORM-THRIVE. Adapting the Tools of Teaching Artistry from NYC to Phnom Penh.
Nyein Lynn Phyu
(MY)How bringing Teaching Artistry to Myanmar Challenges and Affects Local Ways of Thinking,Learning and Teaching
Deasylina da Ary,
Agung Gunawan
(ID)Pacitanian Art-Edu (Alternative Pathways to the Essence of Art Education Objectives in Indonesia)
Cloudberry Betriace Maclean(UK)Where the possibility of power lies
Jieun Park(KR)From finding voices to harmonizing
Haeweon Yi(KR)Blooming Ludus: How Artists Flow within Communities
Hwayoung Lee(KR)Local Area Production : Here, making sound
Gudskul
(IN)Speculative Collective
Joohee Rho(KR)The vision from Andong Project, Come on, friend! Let’s go to performance hall together!
Eric Booth(US)Expanding the Impact of Our Skills : Artists Creating Change Outside of the Arts
Marco Pronvost
Marika Crête-Reizes(CA)How to collectively use the essence of power (of change) in arts education to develop a sense of citizenship within our education and community settings?
9:00am ~ 10:00pm Seoul, KST(UTC+9)
1:00am ~ 2:00pm London, UTC
8:00pm ~ 9:00am New York, EDT(UTC-3)
We face a time of unstable and uncertain boundaries and barriers. COVID-19 does not simply block societies and communities, it blocks human-to-human encounters and trust; and it even makes us question long-trusted fundamentals of artistic practice.
Artists who work in participatory settings constantly provoke new perspectives, ask deeper, sometimes challenging, questions, and raise relevant issues. What is the role of artist and art education now, in this era of discrimination and hatred, conflict and confrontation, anxiety, helplessness and fear? Can our work contribute to positive changes as we represent the voices of different communities, societies, and countries? How can teaching artistry contribute to collective harmon and create visions of peaceful coexistence?
With these questions in mind, the Peace & Reconciliation track sessions explore these inquiries, in accordance with UNESCO Seoul Agenda Goal 3*:
* UNESCO Seoul Agenda Goal 3 includes social responsibility, social cohesion, global challenges from peace to sustainability through arts education.
Starting with the keynote presentation of the Alvin Ailey Youth Camp, which has committed to helping low-income Black teenagers meet the world through dance, we will see a variety of work done with Parkinson's disease patients, disabled students, and underprivileged youths.
We will share examples of artists working with movement, play, dance, and the latest digital media technologies. We will see how to break the cycle of violence through 'Drama with Women with Trauma', reconcile with death through 'Making Newborn Baby’s clothes with Cancer Patients', and dream of peaceful co-existence.
Nasha Thomas(US) “AileyCamp Matters...Inspiring Youth and Changing Lives through the Arts”
An Yonce(KR), Eun Jeong Yu(KR), Jung Hyun Kim(KR)Touchable Stories
Patricia Tunstall
(US)The Global El Sistema Movement: Catalyzing the Skills of Teaching Artistry to Combat Discrimination and Empower Community
Hyunjung Lee(KR)Double Self-portrait
Nena Mocnik
(FR)Transmitted Traumas, Chosen Memories
Pawel Pokutycki
(NR)Interartivism: digital, participatory art practice in an educational context
Hodong Lee(KR)Unfamiliar meeting
Tere Quintanilla
(MX) Reflecting on Our Practice for Social Change
Yumi Kim(KR)Digital, Body and We: Reconnecting via Media Art Education
Bonface Betibeti
(KE)Stories of Home": Refugee and Newcomer Youth Playback Theatre in Winnipeg, Manitoba
Sunghyo Ryu(KR)Talk with from Asia network Colleagues
Fionna Bannon (UK)What’s Dance Got to Do With it? Association and Socially Engaged Practices
Shu-hwa Jung
(TW)Drama Action Outside the Theatre Bridging the Process of Thought and Choices: What is the Role of Teaching Artist I Play?
Soo Hye Jang(KR)A Case of Chaeknuna Project: How to Coexist by Embracing the Difference.
Simon Sharkey
(UK) Jump
Jieun Park(KR)A Story for Coexistence, Not for Help
Byoung Joo Kim & Hwan Jung Jae (KR)TBC
David Leventhal(US)Dance as a Lifeline: The Joys and Benefits of Dance for Parkinson's
We grow our power through constant self-reflection and self-improvement.
The themes of the ITAC, which marks its fifth conference this year, differ depending on the time, circumstance, and location of each conference. However, the consistent key theme across all ITAC gatherings is reflective practice and self-improvement, spurred by new inspiration through interacting with colleagues. In addition to the three main tracks, ITAC5 presents a new set of special workshops and sessions that include topics promoting self-reflection and self-improvement.
The sessions cover a wide variety of content: including fundamental understandings; attitudes and competencies to have as a teaching artist; ways to link various subjects and institutions; and reflective practices to guide our ongoing improvement. The presenter line-up addresses a younger generation seeking a fresh and challenging approach, seasoned professionals looking for a variety of experiences and perspectives, and the mature generation willing to share their cultivated wisdom and deep insights. These sessions aim to 'learn together to grow together'.
Stay tuned for more information on the lounge meets & talks, 1:1 chats, and the collective rooms!
Jeffrey Marc Poulin(US) Cultivating Creative Generation: The Role of Teaching Artist
TAT LAB(US) &
K-TATLAB(KR)TBC
Katie Dawson, Faith Hillis, Laura Epperson(US)TBC
Marit Ulvund(NO) What competence does a Teaching Artist need?
Jihea Park(US)Re-imagining : Cultivating Teaching Artists of Tomorrow
Judith Mary Mclean(AU)Becoming - a journey into leadership for artists & teaching artist & arts administrators
Jean E Taylor(US), Marika Crête-Reizes(CA)Boundaries into Pathways - Approaching People as We Approach Works of Art
Simon Andrew Thomas Spain(AU), Victoria Ryle(AU)STICKY
Stacey Clayre Menzies-Toner(UK)Starting Fires Instead of Fighting Them
Libby Olivia Scarlett(UK)Creative ways to support mental health in arts education
Rhian Hutchings(UK), Courtney Boddie(UK)Creating Teaching Artist Pathways across the World
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